1000 HANDS OF THE GURU
Film poster for "1000 HANDS OF THE GURU". A picture of a Buddhist monk.
1000 HANDS OF THE GURU
Film poster for "1000 HANDS OF THE GURU". A picture of a Buddhist monk.
Four monks, a royal scholar, and their American guru are fighting to save Bhutan's sacred scrolls while learning the art of letting go

1000 HANDS OF THE GURU

Regular price $129.00
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OFFICIAL SELECTION - Honolulu International Film Festival | OFFICIAL SELECTION - Asian American International Film Festival 

Culture  • Art • Technology • Spirituality • Vajrayana Buddhism • Scroll Conservation


Date of Completion: 2016 | Run Time: 66 minutes​​ | Language: English & Dzongkha | Captions: Yes | Includes: Transcript | Director: Tobias Reeuwijk | Producer: Paul Lee | Executive Producer: Bey Logan | Director of Photography: John DeMello | Editor: Mieneke Kramer

“What if all your aspirations and potential could be rolled into one scroll?” - Ashi Kesang Choden Wangchuck, Royal Scholar and Bhutanese Art Historian.

The Kingdom of Bhutan is the only remaining Vajrayana Buddhist country in the world today. The major difference between Vajrayana Buddhism and all other Buddhist sects across Asia is the incorporation of the thangka in meditation. Thangkas are intricately painted scrolls that act as a form of spiritual and historical storytelling, passing on blessings of past spiritual gurus. The more a practitioner meditates using these sacred scrolls, the more they become united with the image. This spiritual practice is aimed at deepening their connection to the Buddha nature within. Accessing the Buddha nature is considered the epitome of compassion, understanding the true nature of reality and reaching for enlightenment. Because of decades of neglect, thousands of ancient masterpieces, and the rich cultural heritage embedded in every scroll, are on the brink of being lost forever. By a twist of fate, an American art conservation master crosses paths with four monks and a royal scholar, thus embarking on a lifelong journey to restore these holy relics to their former glory. We follow the Conservation Workshop team over the course of three years as they race against a mass extinction of their living culture, and learn the art of letting go along the way.