HOLY RIGHTS - BITCHITRA COLLECTIVE
Film Poster for "Holy Rights". A hand plays with strings attached to a bird.
HOLY RIGHTS - BITCHITRA COLLECTIVE
Film Poster for "Holy Rights". A hand plays with strings attached to a bird.
A deeply religious Muslim woman in India challenges patriarchal interpretations of Islamic Law especially in regards to divorce. Tensions and negotiations that mark her journey are interwoven with other Muslim women's fight for gender justice.

HOLY RIGHTS - BITCHITRA COLLECTIVE

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International Premiere: 54th HOF International Film Festival | The Prestigious President's Indian National Film Award for Best Film on Social Issues | Impactful Film of the Year at Vancouver International Women in Films Festival | Winner of International Documentary Long at RIFFA

Gender Equality •  Muslim Women Empowerment Religious Laws and Social Justice • India • Sharia • Triple Talaq  Islamic Studies

Date of Completion: 2020 | Run Time: 52 minutes​​ | Language: Urdu with English subtitles | Captions: Yes | Includes: Transcript | Director: Farha KhatunProducer: Priyanka More | Associate Director: Biswajit Das | Cinematographers: Debalina & Priyanka Biswas | Editor: Sankha

Safia, a deeply religious Muslim woman from Bhopal in Central India, driven by her belief that because of the patriarchal mindset of the interpreters of 'Sharia', Muslim women are denied equality and justice in the community. She joins a program that trains women as Qazis, (Muslim clerics who interpret and administer the personal law), which is traditionally a male preserve. The film documents her journey as she struggles and negotiates through hitherto uncharted territory, exploring the tensions that arise when women try to change the status quo and take control of narratives that so deeply affect their lives. Through Safia 'Apa ' or elder sister as she is called, several other women join the program; through their lived experiences, the film comments on the arbitrariness of the instant 'triple talaq' practice (Instant divorce by saying Talaq thrice). These and other landmark moments, political and legal, find reference in the film as does the changing socio-political scenario that impact their lives. In its four years journey, the film also documents the movement against Triple Talaq, Muslim women’s struggles to break free of patronizing voices within the community as well as resist forces outside from appropriating their movement to suit their own political agenda.

 The Prizma | August 24 2020
"Women’s rights or Islamophobia?"

"Used to wonder if the Quran is really gender biased, says Farha Khatun on the quest that led to Holy Rights"